Chau or Feng?

Two gongs, two jobs. Most practitioners start with one and add the other once they know how they want a session to move.

Chau

Chau

Deep, sustaining, fills the room

Start soft and let it bloom. Each strike adds to the last, building a wash that keeps growing the longer you play. Chau gongs produce complex vibrational qualities depending on the strike.

  • Long sustain, slow build
  • Deep, warm low end
  • Start here if it's your first gong
Feng

Feng

Bright, fast, clears the air

A flat wind gong with no turned rim. It speaks immediately, shimmering and full-range, with a fast attack and a decay that clears rather than lingers. It cuts through a room instead of filling it.

  • Immediate attack, clean decay
  • Opens and closes a session
  • Add after the Chau for contrast

Working with both? The Feng marks the transitions. The Chau carries the long middle.

Playing for yourself

You don't need to lead a sound bath to own a gong. Plenty of people play one just for themselves: a few minutes at the start or end of the day, as part of a meditation or mindfulness practice.

There's no training required to start. Warm the gong with soft strokes, let the sound build, then stop and listen as it fades. Strike, listen, breathe, and repeat.

A 24" Chau on a floor stand is an easy place to start at home.

What size do I need?

Diameter decides how much room a gong can fill and how long it sustains. Bigger isn't automatically better. Pick for the space you actually play in, and for whether you need to move it. Tap a size to see what it's built for.

6" - 14"

Travel and one-to-one work

Small enough to carry to a client's home and set up in a minute. Quick decay, modest volume. Works best as an accent alongside a larger gong rather than as the only instrument in the room.

16" - 24"

Treatment rooms and small classes

The first size with real presence, and the best place to start if you're playing for yourself. Enough to fill a living room, treatment room, or small studio without overwhelming it, and light enough that one person can hang and move it alone.

28" - 32"

Group sound baths

Where most practitioners who lead groups land, and the size to buy if you’re running sound baths with one gong. Enough surface to build a sustained wash across a full room, and still manageable for one person to set up. Most people who start here never need to go bigger.

36" - 40"

Large rooms and halls

Long sustain and a deep low end you feel as much as hear. Needs a proper stand, and usually two people to hang it safely. Worth it when the room is big enough to let the sound open up.

44" - 60"

Installations and concert halls

Permanent setups and orchestral work. Enormous sustain and a dynamic range that runs from barely there to overwhelming. Our stands fit gongs up to 48″, so plan the stand, the ceiling and the doorway before you order one.

Every gong ships with a mallet. Stands are sold separately.

What comes with it

What arrives in the box, and what you'll want alongside it, so nothing at checkout is a surprise.

In the box

  • Mallet

    Every gong ships with a mallet, so it's ready to play the day it arrives.

Sold separately

  • Stand

    Gongs hang from a stand, which is sold separately. Match the stand to your gong's diameter.

Pick your stand

Every gong hangs from a stand, sold separately. Match the stand to your gong's diameter and you're set.

Collapsible Gong Stand

For most practitioners

Collapsible Gong Stand

Fits 6″–48″ gongs

Ideal for a home practice space or studio, and built to stay set up long term.

$240.00

Full stand details
Adjustable Gong Stand w/ Wheels

For the travellers

Adjustable Gong Stand w/ Wheels

Fits 6″–48″ gongs

For practitioners who move between gong sizes or play in more than one location. Wheels make it easy to move.

$275.00

Full stand details

Not sure which fits? Tell us the gong you're looking at and we'll point you to the right stand.

Made by hand, one at a time

A gong starts as a flat disc of bronze. What turns it into an instrument is thousands of hammer strikes, each one changing how the metal moves when it's played.

You can see them on the finished surface. That texture isn't decoration. It's the voicing, and it's what makes our gongs so unique.

  • Hammered by hand

    Every mark on the surface was put there by a person, not a press.

  • Same Manufacturing Since 2007

    Since our inception in 2007, we've had the same sets of hands putting the care and effort into each and every instrument.

  • Trusted by Orchestras

    Played by symphony orchestras around the world. We take pride in being one of the top voices in hand-hammered bronze gongs.

  • Bronze only

    Every Dream gong is hand-hammered bronze. No nickel silver.

Played by practitioners

Trusted by professionals, used in practice.

  • Ken Little

    "Dream gongs are the highest standard of quality and the craftsmanship is evident in their presence. I adore my 52" Chau and 44" Wind from Dream. Each contain an entire world of sound that it would take a lifetime to truly explore. I know I can rely on Dream to find the right gong for the sound I need."

    Ken Little

    Resonant Transitions, Toronto

    Plays a 58" Chau and 44" Feng among others

    Facebook
  • Sarah Westwood

    "What I’ve always loved about Dream gongs is their beautiful tone: a deep, enveloping resonance with a clear, mesmerising fundamental that you can really settle into. For soundbath work, that combination is wonderful – the sound has presence and depth without needing to be overly complex."

    Sarah Westwood

    Founder of Primal Sound, United Kingdom

    Plays a 24" Feng, 28" Chau, and 12" Chau

    Primal Sound Website

Still deciding?

Tell us the room you play in and how many people you usually work with. We'll recommend a gong, a size and a stand that fit.

contactus@dreamcymbals.com